RealFakeLies

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248 d ago · nytimes.com Culture

In 2016 helped found Nyamakop studio in Johannesburg that developed game

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248 d ago · nytimes.com Culture

When he partnered with global talent agency UTA a year later Myres found more receptive audience

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248 d ago · nytimes.com Culture

Mashigo suggested people did not always know how to interact with work by Africans about Africans

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248 d ago · nytimes.com Culture

When that failed to impress investors at 2019 Game Developers Conference in San Francisco he nearly gave up on concept

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248 d ago · nytimes.com Culture

He eventually crowdsourced enough money from friends and family to build improved prototype of game

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248 d ago · nytimes.com Culture

We got funded off an elevator pitch budget was several million dollars robust for indie studio in industry where larger companies spend upward of $300 million on game

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248 d ago · nytimes.com Culture

Next month at Fowler Museum at University of California Los Angeles Myres and Mashigo will discuss Relooted with Erica P Jones curator who in 2024 oversaw repatriation of seven looted artifacts to Asante kingdom in Ghana

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248 d ago · nytimes.com Culture

Ben Myres game’s creative director said Relooted did not dwell on real-world politics of returning stolen artworks

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248 d ago · nytimes.com Culture

Crew including retired history professor young security specialist must organize theft gathering information finding escape route

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248 d ago · nytimes.com Culture

As young developer in South Africa Myres faced uphill battle to attract investors for Relooted

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248 d ago · nytimes.com Culture

Motion sensors alarm bells shutter doors prevent easy getaway in thriller

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248 d ago · nytimes.com Culture

For creators behind Relooted burglary proved disappointing

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248 d ago · nytimes.com Culture

Relooted side-scrolling puzzle-platformer was released on Tuesday for PC and Xbox

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248 d ago · nytimes.com Culture

Myres chose to represent real artifacts leaving museums ambiguous

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248 d ago · nytimes.com Politics

Thieves made stealing $102 million worth of jewels look easy at Louvre Museum in Paris last year

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248 d ago · nytimes.com Culture

The album featured fresh interpretations with modern production and its final track was a 1972 live recording of Flack transforming a “Revolver” song.

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248 d ago · nytimes.com Culture

Nina Simone conjures hope in her 1971 cover.

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248 d ago · nytimes.com Culture

Earth Wind & Fire’s Grammy-winning cover is a highlight of the soundtrack.

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248 d ago · nytimes.com Culture

McCartney sent a demo of “Let It Be” to Jerry Wexler in 1969.

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248 d ago · nytimes.com Culture

Aretha Franklin sings “Let It Be” like it was written for her.

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